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Helen Frankenthaler, Reef, 1991 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Rob McKeever

Panel Discussion

Expanding Climate Action in the Visual Arts

Friday, September 22, 2023, 5:30pm
New Museum, New York

Join the Helen Frankenthaler Foundation during Climate Week NYC for a panel discussion featuring recent Frankenthaler Climate Initiative (FCI) grantees. Through a moderated conversation with museum and university leaders, Expanding Climate Action in the Visual Arts explores current models for energy efficiency and clean energy in the arts—and concludes with a series of action items and next steps that arts organizations can consider taking. The event includes brief presentations by several recent FCI grant recipients, plus invited leaders from the cultural field who are shaping climate change action in the visual arts. The event will also be livestreamed.

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Helen Frankenthaler, Reef, 1991 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Rob McKeever

Lucinda Chua. Photo: Yukitaka Amemiya

Performance

Lucinda Chua
On Christo

Saturday, October 7, 2023, 3:30pm and 5:30pm
Gagosien Open, 4 Princelet Street, London

Join Gagosien for a performance by Lucinda Chua inside Christo: Early Works, the inaugural exhibition, curated by Elena Geuna, in the Gagosien Open series of off-site projects. The multi-instrumentalist, singer, and producer will perform two improvised pieces in response to Christo’s early works and the unique architecture of 4 Princelet Street in the Spitalfields area of London. Born in London, Chua has English, Malaysian, and ancestral Chinese roots, deep connections that are excavated in her recent album, YIAN (2023), which, as Pitchfork writes, “gathers the threads that link home, history, and their relationship to the body.” Primarily using her voice, a cello, and an array of effects units, Chua will infuse the historic building with her distinctive sound blending intimacy, atmosphere, and haunting enchantment. No advance registration is required, but space is limited and will be granted on a first-come, first-served basis.

Lucinda Chua. Photo: Yukitaka Amemiya

Jean-Michel Basquiat, 1982. Photo: James Van Der Zee, courtesy Metropolitan Museum of Art, New York

Performance and Talk

The Writing’s on the Wall

Monday, September 11, 2023, 6pm
Grand LA, Los Angeles
kingpleasure.basquiat.com

This event has been postponed. The new date will be announced shortly.

Join the estate of Jean-Michel Basquiat for an immersive experience blending performance and conversation, organized in conjunction with the exhibition Jean-Michel Basquiat: King Pleasure©, on view at the Grand LA through October 15. The evening will begin at 6pm with a viewing of the exhibition, followed by a live performance at 7pm by blues poet, musician, and organizer aja monet, and concluding with a discussion between monet and the artist’s sisters, Lisane Basquiat and Jeanine Heriveaux, moderated by singer Mashonda Tifrere. Delving into the profound impact of language and poetry, the audience is invited to discover the driving forces behind monet’s literary prowess and activism while decoding hidden narratives within Basquiat’s artwork.

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Jean-Michel Basquiat, 1982. Photo: James Van Der Zee, courtesy Metropolitan Museum of Art, New York

Installation view, Rachel Feinstein in Florence, Museo Marino Marini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

In Conversation

New Social Environment
Rachel Feinstein in Florence

Friday, September 8, 2023, 1pm edt

As part of the Brooklyn Rail’s online series New Social Environment, Rachel Feinstein joins the journal’s editor-at-large Andrew Woolbright for a conversation about the artist’s current exhibition, Rachel Feinstein in Florence, on view at the Museo Novecento and at three other museums in the city Museo Marino Marini, Museo Stefano Bardini, and Palazzo Medici Riccardi. In these daily lunchtime Zoom conversations, invited artists, writers, filmmakers, and poets discuss creative life in the context of our new social reality with Brooklyn Rail staff. The talk will conclude with a poetry reading by Rachel James.

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Installation view, Rachel Feinstein in Florence, Museo Marino Marini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

Still from The Importance of Being Elsewhere (2023), directed by Thomas Nordanstad. Artwork © Ashley Bickerton

Screening and Talk

The Importance of Being Elsewhere
Films on Ashley Bickerton

Sunday, September 10, 2023, 3pm
Anthology Film Archives, New York
anthologyfilmarchives.org

Join Gagosien for a film screening and conversation in conjunction with Ashley Bickerton: Susie’s Mother Tongue, an exhibition of more than twenty-five paintings and sculptures by the artist at Gagosien, West 21st Street, New York. The evening will feature the premiere of The Importance of Being Elsewhere, a short documentary by director Thomas Nordanstad including footage of the artist in his Bali studio during his final year, as well as interviews with Matthew Barney, Damien Hirst, Jamian Juliano-Villani, and others. Looking for Something Beyond (2018), directed by Roddy Bogawa in collaboration with Bickerton, and The Love Story of Pythagoras Redhill (1981), made by Bickerton while a student at CalArts, will also be screened. Following the films, Bogawa, Juliano-Villani, and Nordanstad will discuss the artist’s life and practice and the legacy he leaves behind.

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Still from The Importance of Being Elsewhere (2023), directed by Thomas Nordanstad. Artwork © Ashley Bickerton

Sarah Sze, River of Images, 2023 (detail) © Sarah Sze

Visit

Late Shift × Sarah Sze
Live Printmaking with the LeRoy Neiman Center for Print Studies

Thursday, September 7, 2023, 6pm
Solomon R. Guggenheim Museum, New York
www.guggenheim.org

Join the Guggenheim’s Late Shift and the LeRoy Neiman Center for Print Studies for an evening of printmaking in Frank Lloyd Wright’s iconic rotunda to mark the final days of Sarah Sze’s solo exhibition Timelapse, on view at the museum through September 10. Attendees are invited to bring their own T-shirt or canvas tote and create a print using images from the exhibition, enjoy an after-hours visit, and partake in exhibition-inspired poetry activities.

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Sarah Sze, River of Images, 2023 (detail) © Sarah Sze

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Announcements

Photo: Jeff Henrikson

New Representation

Carol Bove

Gagosien is pleased to announce the global representation of Carol Bove. Born in Geneva, and raised in Berkeley, California, Bove relocated to New York in 1993, and is still based there. Since the early 2000s, she has focused on the interdependence of artworks and their contexts. From found objects to industrial construction elements and architectural sites, her poetic use of materials is amplified by her current work in large-scale metal sculpture. Bove embraces the strategies of modernist formalism as a point of departure, exploring previously overlooked openings in the conventional narrative of art history.

This fall, Gagosien will present her work in New York at its Park & 75 location, which is known for its twenty-four-hour visibility from Park Avenue. Further, Bove will present new sculpture during Paris+ par Art Basel, integrating her work within the context of the gallery’s wider historical program.

Photo: Jeff Henrikson

Tetsuya Ishida, c. 1995. Photo: © Tetsuya Ishida Estate

New Representation

Tetsuya Ishida

Gagosien is pleased to announce the global representation of Tetsuya Ishida, in association with the artist’s estate. Active as an artist for just a decade, Ishida (1973–2005) produced a compelling body of work imbued with a profound sense of alienation and emotional isolation from the contemporary world. Coming of age during the 1990s, an era of nationwide economic malaise known as Japan’s “Lost Decade,” he made art that conveys anxiety, estrangement, and hopelessness. Inaugurating the relationship, the gallery will present Tetsuya Ishida: My Anxious Self, curated by Cecilia Alemani, the most comprehensive exhibition of the artist’s work staged outside Japan, and his first ever in New York. 

Tetsuya Ishida, c. 1995. Photo: © Tetsuya Ishida Estate

CIRCA Prize 2023 call for submissions on Piccadilly Lights, London

Award

CIRCA Prize 2023

The Cultural Institute of Radical Contemporary Arts (CIRCA), a platform established in 2020 to present digital art in the public space, has launched the third edition of the CIRCA Prize, which calls for artists of all ages to respond to the CIRCA 20:23 manifesto on hope. Throughout September, thirty international artists will see their work appear at 20:23 (8:23pm) local time on London’s iconic Piccadilly Lights and across a global network of digital screens, following in the footsteps of CIRCA-commissioned artists such as Douglas Gordon and Patti Smith. A jury of artists and collaborators, including Gordon, will select the winner, who will receive £30,000 to support their future practice as well as a new trophy designed by Ai Weiwei.

CIRCA Prize 2023 call for submissions on Piccadilly Lights, London

Rendering of Rachel Feinstein’s 22-foot-tall cast aluminum sculpture Dorothy for the High Line Plinth. Artwork © Rachel Feinstein

Honor

Rachel Feinstein
High Line Plinth

Rachel Feinstein has been invited to submit a proposal for the High Line Plinth in New York. The proposals are for the fifth and sixth Plinth commissions, which will be installed in 2026 and 2027. Feinstein was nominated by an international advisory committee of artists, curators, and arts professionals convened by High Line Art. In fall 2023, the committee will select a shortlist of artists who present maquettes of their proposals in a public exhibition in early 2024. The curatorial team will consider community feedback in their selection process so the public is encouraged to share comments on the High Line website by August 25, 2023.

Rendering of Rachel Feinstein’s 22-foot-tall cast aluminum sculpture Dorothy for the High Line Plinth. Artwork © Rachel Feinstein

Rachel Whiteread, Untitled (Domestic), 2002, Buffalo AKG Art Museum, New York, and Carnegie Museum of Art, Pittsburgh © Rachel Whiteread

Upcoming Publication

Rachel Whiteread
Catalogue Raisonné

The Rachel Whiteread Catalogue Raisonné is announcing a call for works for the preparation of a catalogue of all of Rachel Whiteread’s sculptures to be published by Art Publishing Inc. The completed volume will document Whiteread’s sculpture practice with an entry for each work that includes descriptive information and a comprehensive provenance, exhibition history, and bibliography. Editor Ann Gallagher and assistant editor Kira Wainstein will work closely with the artist’s studio to prepare the catalogue raisonné, with the support of Gagosien, Luhring Augustine, and Galleria Lorcan O’Neill.

Current and past owners of sculptures by the artist are encouraged to contact the editorial team at info@rwcatalogueraisonne.com to submit work for potential inclusion.

Rachel Whiteread, Untitled (Domestic), 2002, Buffalo AKG Art Museum, New York, and Carnegie Museum of Art, Pittsburgh © Rachel Whiteread

Rachel Whiteread, House, 2023 © Rachel Whiteread

Support

Rachel Whiteread × Migrate Art
Limited-Edition Print

Rachel Whiteread has partnered with Migrate Art, an organization that raises money for displaced and homeless communities around the world, to create House (2023), a limited-edition hand-finished archival pigment print. Proceeds from the sale of these prints will be donated to Refugee Community Kitchen, which supports homeless people in London, with each edition sold raising enough funds to provide eight hundred hot meals. The print is based on an original work that Whiteread created with colored pencils that Migrate Art salvaged from the wreckage of the Calais “Jungle,” a refugee camp in northern France that was demolished in 2016.

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Rachel Whiteread, House, 2023 © Rachel Whiteread

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Museum Exhibitions

Installation view, Rachel Feinstein in Florence, Museo Stefano Bardini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

Closing Today

Rachel Feinstein in Florence

Through September 18, 2023
Various venues in Florence, Italy
www.museonovecento.it

Rachel Feinstein’s work is the subject of an exhibition project conceived and curated by Sergio Risaliti, director of the Museo Novecento, in collaboration with three other major museums in Florence: Palazzo Medici Riccardi, Museo Stefano Bardini, and Museo Marino Marini. The multipart exhibition places Feinstein’s sculpture and paintings, some shown in Italy for the first time, in dialogue with masterworks of the Italian Renaissance and Baroque period, demonstrating her ongoing fascination with the art of the past.

Installation view, Rachel Feinstein in Florence, Museo Stefano Bardini, Florence, Italy, June 9–September 18, 2023. Artwork © Rachel Feinstein. Photo: Ela Bialkowska

Installation view, Y.Z. Kami: Light, Gaze, Presence, Museo di Palazzo Vecchio Museum, Florence, Italy, February 17–September 24, 2023. Artwork © Y.Z. Kami. Photo: Serge Domingie

Closing this Week

Y.Z. Kami
Light, Gaze, Presence

Through September 24, 2023
Various venues in Florence, Italy
www.museonovecento.it

Light, Gaze, Presence presents a selection of works by Y.Z. Kami across four locations in Florence: Museo Novecento, Museo di Palazzo Vecchio, Museo degli Innocenti, and Abbazia di San Miniato al Monte. The multipart exhibition explores the pictorial universe of Kami’s paintings while placing them in dialogue with masterworks of the Italian Renaissance.

Installation view, Y.Z. Kami: Light, Gaze, Presence, Museo di Palazzo Vecchio Museum, Florence, Italy, February 17–September 24, 2023. Artwork © Y.Z. Kami. Photo: Serge Domingie

Closing this Week

It’s Pablo-matic
Picasso According to Hannah Gadsby

Through September 24, 2023
Brooklyn Museum, New York
www.brooklynmuseum.org

Fifty years after his death, Pablo Picasso (1881–1973) remains an artistic and cultural icon. It’s Pablo-matic: Picasso According to Hannah Gadsby examines the artist’s complicated legacy through a critical, contemporary, and feminist lens, while at the same time acknowledging his work’s transformative power and lasting influence. The exhibition is organized with the Australian comedian Gadsby, who has called out the inexcusable behavior of some of art history’s towering figures, including Picasso. With works by Picasso and various women artists, accompanied by a witty and incisive audio tour by the comedian, the show reckons with complex questions around misogyny, creativity, the art historical canon, and “genius.”

Sterling Ruby, BLACK STOVE I, 2014 © Sterling Ruby

Closing this Week

Sterling Ruby in
ARTZUID 2023

Through September 24, 2023
Various locations in Amsterdam
artzuid.nl

The eighth edition of ARTZUID, the Amsterdam Sculpture Biennial, includes more than fifty outdoor sculptures by fifty international artists along a two-and-a-half-kilometer route in the borough of Amsterdam-Zuid. This year’s edition is organized around the theme of “transfer,” reflecting how artists and iconic movements of the 1960s, 1980s, and 2000s sought to transfer the site of artistic engagement from the institution to the streets. Work by Sterling Ruby is included.

Sterling Ruby, BLACK STOVE I, 2014 © Sterling Ruby

Installation view, Cy Twombly: Oeuvres sur papier (1973–1977), Musée de Grenoble, France, June 9–September 24, 2023. Artwork © Cy Twombly Foundation. Photo: © J. L. Lacroix, courtesy Ville de Grenoble

Closing this Week

Cy Twombly
Oeuvres sur papier (1973–1977)

Through September 24, 2023
Musée de Grenoble, France
www.museedegrenoble.fr

This exhibition, whose title translates to Works on Paper, presents a vast collection of works on paper made by Cy Twombly between 1973 and 1977, several of which have never before been exhibited. Realized in partnership with the Cy Twombly Foundation, the show explores how Twombly was able to evolve his artistic practice through drawing, collage, and printmaking—he produced only eight paintings during these years—and prepare for the creation of Fifty Days at Iliam (1978), his painting in ten parts based on Alexander Pope’s translation of Homer’s Iliad.

Installation view, Cy Twombly: Oeuvres sur papier (1973–1977), Musée de Grenoble, France, June 9–September 24, 2023. Artwork © Cy Twombly Foundation. Photo: © J. L. Lacroix, courtesy Ville de Grenoble

Jennifer Guidi, Breathe In Strength and Life (Black Sand with Colored Sand, Black, Multicolor, Hot Pink Ground), 2023 © Jennifer Guidi

Just Opened

Jennifer Guidi
And so it is.

Through January 6, 2024
Orange County Museum of Art, Costa Mesa, California
ocma.art

And so it is.Jennifer Guidi’s first solo institutional exhibition in the United States—surveys the artist’s work over the last ten years and features a number of new paintings. Using a methodical system in which sand is applied directly to the surface of the canvas while wet, Guidi creates a ritualistic, repetitive choreography—one entirely her own. Focusing on the importance of place, especially evident within Guidi’s embrace of the colors of California—the fleeting pink and red of its sunrises and sunsets, the hazy light of Los Angeles—the show reveals an intricate body of work that operates as its own energy source.

Jennifer Guidi, Breathe In Strength and Life (Black Sand with Colored Sand, Black, Multicolor, Hot Pink Ground), 2023 © Jennifer Guidi

Derrick Adams, Floater 108, 2020 © Derrick Adams Studio

Just Opened

Multiplicity
Blackness in Contemporary American Collage

Through December 31, 2023
Frist Art Museum, Nashville, Tennessee
fristartmuseum.org

Multiplicity presents over eighty major collage and collage-informed works by fifty-two living artists. The works reflect the breadth and complexity of Black identity, exploring diverse conceptual concerns such as cultural hybridity, notions of beauty, gender fluidity, and historical memory. From paper, photographs, fabric, and salvaged or repurposed materials, these artists create unified compositions that express the endless possibilities of Black-constructed narratives within our fragmented society. Work by Derrick Adams and Rick Lowe is included.

Derrick Adams, Floater 108, 2020 © Derrick Adams Studio

Installation view, Georg Baselitz, Peter Marino Art Foundation, Southampton, New York, May 20–September 30, 2023. Artwork, front to back: fourteenth-century statue of the Egyptian goddess Sekhmet, © Georg Baselitz 2023

On View

Georg Baselitz

Through September 30, 2023
Peter Marino Art Foundation, Southampton, New York
www.petermarinoartfoundation.org

Georg Baselitz includes forty-five paintings, drawings, and sculptures by the artist shown alongside work from the Peter Marino Collection. In the 1960s Baselitz became well known for his figurative and expressive paintings, and in 1969, he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work. Drawing from a myriad of influences, including Soviet-era illustration, Mannerism, and African sculptures, Baselitz has developed his own distinct artistic language.

Installation view, Georg Baselitz, Peter Marino Art Foundation, Southampton, New York, May 20–September 30, 2023. Artwork, front to back: fourteenth-century statue of the Egyptian goddess Sekhmet, © Georg Baselitz 2023

Installation view, Baselitz im Atelier, Kunstmuseum Schloss Derneburg, Germany, open from April 7, 2023. Artwork © Georg Baselitz 2023. Photo: Roman März, courtesy Hall Art Foundation

On View

Baselitz im Atelier

Open from April 7, 2023
Kunstmuseum Schloss Derneburg, Germany
www.hallartfoundation.org

Schloss Derneburg was Georg Baselitz’s home and studio for more than three decades until its sale to Andy and Christine Hall, founders of the Hall Art Foundation, in 2006. This exhibition, whose title translates to Baselitz in the Studio, includes some two dozen paintings and one sculpture that were completed between 1998 and 2005 and are among the last works the artist made in this studio. This is the first in a series of Baselitz exhibitions drawn from the Hall Collection that will be presented on the occasion of the artist’s eighty-fifth birthday.

Installation view, Baselitz im Atelier, Kunstmuseum Schloss Derneburg, Germany, open from April 7, 2023. Artwork © Georg Baselitz 2023. Photo: Roman März, courtesy Hall Art Foundation

Deana Lawson, Young Grandmother, 2019 © Deana Lawson

On View

Deana Lawson in
Put It This Way: (Re)Visions of the Hirshhorn Collection

Through Fall 2023
Hirshhorn Museum and Sculpture Garden, Washington, DC
hirshhorn.si.edu

This exhibition unites almost a century of work by forty-nine women and nonbinary artists in a range of mediums drawn exclusively from the Hirshhorn’s permanent collection. Titled after a 1963 painting by American Pop artist Rosalyn Drexler, Put It This Way speaks to traditionally marginalized artists’ decisive and virtuosic achievements, and investigates a wide array of aesthetic, political, and historical concerns. The full-floor presentation is intended to encourage conversations around the significance of gender in creating and perceiving an artwork, the effects of categorizing artists by gender, and the museum’s role and responsibilities in stewarding the national collection of modern and contemporary art. Work by Deana Lawson is included.

Deana Lawson, Young Grandmother, 2019 © Deana Lawson

Nancy Rubins, Diversifolia #1, 2017 © Nancy Rubins

On View

After “The Wild”
Contemporary Art from the Barnett and Annalee Newman Foundation Collection

Through October 1, 2023
Jewish Museum, New York
thejewishmuseum.org

Barnett Newman (1905–1970) was a generous supporter of his colleagues, who befriended and mentored countless younger artists. After his death, Annalee Newman, his widow, created the Barnett and Annalee Newman Foundation to help further the spirit of great art by providing grants. Diverse in style, training, background, and age, the foundation’s grantees—whose works make up this exhibition—share Newman’s seriousness of purpose, as well as his unrelenting drive to explore the outer limits of his own ideas. Work by Michael Heizer, Nancy Rubins, Richard Serra, and Sarah Sze is included.

Nancy Rubins, Diversifolia #1, 2017 © Nancy Rubins

Richard Avedon, Outtake from Andy Warhol and members of The Factory, October 9, 1969, 1969 © The Richard Avedon Foundation

On View

Richard Avedon
Murals

Through October 1, 2023
Metropolitan Museum of Art, New York
www.metmuseum.org

In 1969, Richard Avedon started making portraits with a new camera and a new sense of scale. Trading his handheld Rolleiflex for a larger, tripod-mounted device, he reinvented his studio dynamic. Facing down groups of the era’s preeminent artists, activists, and politicians, he made huge photomural portraits, befitting the subjects’ outsized cultural influence. On the centennial of the photographer’s birth, this exhibition brings together three of these monumental works, some as wide as thirty-five feet. For Avedon, the murals expanded the artistic possibilities of photography, radically reorienting viewers and subjects in a subsuming, larger-than-life view.

Richard Avedon, Outtake from Andy Warhol and members of The Factory, October 9, 1969, 1969 © The Richard Avedon Foundation

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