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Installation view, Henry Moore: The Sixties, Henry Moore Studios & Gardens, Perry Green, England, April 1–October 30, 2022. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Rob Harris

Conference

Shaping the Future That Was
Henry Moore: The Sixties

Friday, September 2, 2022, 10:15am–5pm
Henry Moore Studios & Gardens, Perry Green, England
www.henry-moore.org

Join Henry Moore Studios & Gardens for an academic conference exploring some of the themes in the exhibition Henry Moore: The Sixties. A series of lectures by international speakers will examine the show’s concerns within the wider context of the decade, including the emergence of new art movements in the 1960s, the climate in which Moore’s works were received, and how subjects such as nature and technology reflected radical changes in the artistic landscape.

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Installation view, Henry Moore: The Sixties, Henry Moore Studios & Gardens, Perry Green, England, April 1–October 30, 2022. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Rob Harris

Museum Exhibitions

Chris Burden, Small Skyscraper (Quasi Legal Los Angeles County), 2002 © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Brian Guido

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Escala: Escultura (1945–2000)

March 31–July 2, 2023
Fundación Juan March, Madrid
www.march.es

This exhibition, whose title translates to Scale: Sculpture, begins with a reflection on the effects of the Second World War on a number of artists and their conception of sculptural space as refuge. The role of scale in sculpture is examined, and in an echo of the expanded meaning of sculpture today, the exhibition extends beyond the gallery walls, into the gardens and the surrounding streets. Work by Chris Burden, Alberto Giacometti, Donald Judd, Henry Moore, and Richard Serra is included.

Chris Burden, Small Skyscraper (Quasi Legal Los Angeles County), 2002 © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Brian Guido

Installation view, Henry Moore: The Sixties, Henry Moore Studios & Gardens, Perry Green, England, April 1–October 30, 2022. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Rob Harris

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Henry Moore
The Sixties

April 1–October 30, 2022
Henry Moore Studios & Gardens, Perry Green, England
www.henry-moore.org

In the 1960s, Henry Moore embraced new materials and techniques that enabled him to work on an increasingly monumental scale. He incorporated a greater degree of abstraction in his sculpture and satisfied an enormous global demand for his art, which sometimes generated controversy. This exhibition features rarely seen sculptures, drawings, graphics, and a wealth of archival material drawn entirely from the Henry Moore Foundation’s collections.

Installation view, Henry Moore: The Sixties, Henry Moore Studios & Gardens, Perry Green, England, April 1–October 30, 2022. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Rob Harris

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Textiles de Artistas

March 12–June 19, 2022
Fundacíon Barrié, A Coruña, Spain
fundacionbarrie.org

This exhibition explores the history of twentieth-century art through fabrics designed by artists, with unique examples from artistic movements such as Fauvism, Cubism, Surrealism, and Pop art. Comprised of more than one hundred works, the show presents an important overview of weaving as a popular art form in the United Kingdom, the United States, and Europe. Work by Alexander Calder, Damien Hirst, Howard Hodgkin, Henry Moore, Pablo Picasso, Sterling Ruby, and Andy Warhol is included.

Installation view, Au rendez-vous des amis: Modernism in Dialogue with Contemporary Art from the Sammlung Goetz, Part 2, Pinakothek der Moderne, Munich, August 8, 2021–January 16, 2022. Artwork, left to right: © Stand Douglas, © Tatiana Trouvé, © Egon Schiele. Photo: Bayerische Staatsgemäldesammlungen, Haydar Koyupinar

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Au rendez-vous des amis
Modernism in Dialogue with Contemporary Art from the Sammlung Goetz, Part 2

August 6, 2021–January 16, 2022
Pinakothek der Moderne, Munich
www.pinakothek-der-moderne.de

This exhibition, which includes more than two hundred works, presents works from the Sammlung Goetz in the Pinakothek der Moderne in order to explore the diverse relationships between classical modernism and contemporary art, examining how avant-garde artists paved the way for a more liberal treatment of color, line, and perspective, and outlined groundbreaking ideas for a new social community. Work by Francis Bacon, Henry Moore, Pablo Picasso, and Tatiana Trouvé is included.

Installation view, Au rendez-vous des amis: Modernism in Dialogue with Contemporary Art from the Sammlung Goetz, Part 2, Pinakothek der Moderne, Munich, August 8, 2021–January 16, 2022. Artwork, left to right: © Stand Douglas, © Tatiana Trouvé, © Egon Schiele. Photo: Bayerische Staatsgemäldesammlungen, Haydar Koyupinar

Installation view, This Living Hand: Edmund de Waal Presents Henry Moore, Henry Moore Studios & Gardens, Perry Green, England, May 19–October 31, 2021. Artwork, left and right: © Edmund de Waal; center left and center right: reproduced by permission of the Henry Moore Foundation. Photo: Alzbeta Jaresova

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This Living Hand
Edmund de Waal Presents Henry Moore

May 19–October 31, 2021
Henry Moore Studios & Gardens, Perry Green, England
www.henry-moore.org

Curated by Edmund de Waal, this exhibition explores the role of touch and the iconography of the hand in Henry Moore’s art. Moore believed that “tactile experience is very important as an aesthetic dimension in sculpture.” Original carved benches by de Waal, as well as a group of Moore’s drawings and sculptural works charting his interest in the hand as a subject, are included.

Installation view, This Living Hand: Edmund de Waal Presents Henry Moore, Henry Moore Studios & Gardens, Perry Green, England, May 19–October 31, 2021. Artwork, left and right: © Edmund de Waal; center left and center right: reproduced by permission of the Henry Moore Foundation. Photo: Alzbeta Jaresova

Installation view, Henry Moore: Il Disegno dello scultore, Museo Novecento, Florence, Italy, January 18–August 22, 2021. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Serge Domingie

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Henry Moore
Il Disegno dello scultore

January 18–August 22, 2021
Museo Novecento, Florence, Italy
www.museonovecento.it

Presented in collaboration with the Henry Moore Foundation, this exhibition, whose title translates to The Sculptor’s Drawing, explores the relationship between drawing and sculpture in Henry Moore’s work and includes more than seventy drawings as well as graphics and sculptures. Through the analysis of recurring iconographic themes such as natural forms (rocks, pebbles, roots, and trunks), animals, skulls, and the artist’s hands, the exhibition seeks to deepen the conceptual and formal genesis of Moore’s work.

Installation view, Henry Moore: Il Disegno dello scultore, Museo Novecento, Florence, Italy, January 18–August 22, 2021. Artwork: Reproduced by permission of the Henry Moore Foundation. Photo: Serge Domingie

Installation view, Untitled, 2020, Punta della Dogana, Venice, March 22–December 13, 2020. Artwork © Thomas Houseago. Photo: Marco Cappelletti/DSL Studio

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Untitled, 2020

March 22–November 4, 2020
Punta della Dogana, Venice
www.palazzograssi.it

Conceived and curated by Thomas Houseago, Muna El Fituri, and Caroline Bourgeois, Untitled, 2020 places into dialogue works in a broad range of media by more than sixty artists held by the Pinault Collection, international museums, and private collections. The exhibition centers around a re-creation of Houseago’s studio in Tadao Ando’s cube room, in the heart of Punta della Dogana. Work by Ellen Gallagher, Duane Hanson, Mike Kelley, Henry Moore, and Nam June Paik is included.

Installation view, Untitled, 2020, Punta della Dogana, Venice, March 22–December 13, 2020. Artwork © Thomas Houseago. Photo: Marco Cappelletti/DSL Studio

Installation view, Bill Brandt / Henry Moore, Hepworth Wakefield, England, May 31–November 1, 2020. Artwork, left to right: Reproduced by permission of The Henry Moore Foundation, © Bill Brandt/Bill Brandt Archive Ltd. Photo: George Baggaley

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Bill Brandt / Henry Moore

May 31–November 1, 2020
Hepworth Wakefield, England
hepworthwakefield.org

This exhibition explores the parallel and intersecting paths of the photographer Bill Brandt and sculptor Henry Moore, who first met during the Second World War, when they both created images of civilians sheltering from the Blitz in the London Underground. The show brings together more than two hundred works, including Moore’s celebrated Reclining Figure sculptures and Brandt’s well-known photographs of coal miners and their families in Durham and Yorkshire. Also on view are rare original color transparencies by Brandt, and Moore’s little-known photocollages.

Installation view, Bill Brandt / Henry Moore, Hepworth Wakefield, England, May 31–November 1, 2020. Artwork, left to right: Reproduced by permission of The Henry Moore Foundation, © Bill Brandt/Bill Brandt Archive Ltd. Photo: George Baggaley

Albert Oehlen, Untitled, 1989, Museum of Modern Art, New York © Albert Oehlen 

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Artist’s Choice
Amy Sillman—The Shape of Shape

October 21, 2019–April 12, 2020
Museum of Modern Art, New York
www.moma.org

In The Shape of Shape, Amy Sillman—an artist who has helped redefine contemporary painting, pushing the medium into drawing, installations, video, and zines—has created a revelatory Artist’s Choice installation drawn from the museum’s collection. The exhibition features works, many rarely seen, spanning vastly different time periods, places, and mediums. Work by Jay DeFeo, Helen Frankenthaler, Howard Hodgkin, Henry Moore, Albert Oehlen, and Christopher Wool is included.

Albert Oehlen, Untitled, 1989, Museum of Modern Art, New York © Albert Oehlen 

Henry Moore, Seated Figure, 1948 © Henry Moore Foundation

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Henry Moore Drawings
The Art of Seeing

April 3–October 27, 2019
Henry Moore Foundation, Perry Green, England
www.henry-moore.org

Although Henry Moore is best known as a sculptor, he was an exceptionally talented and prolific draftsman, producing a body of nearly 7,500 drawings over seven decades. The Art of Seeing explores the many different ways in which Moore used drawing, starting with studies from life of the 1920s and ending with the rarely seen, but surprisingly fine, late drawings of the 1970s and early 1980s. The exhibition includes different types of drawings, from preparatory studies and ideas for sculpture and prints, to studies and copies of works by artists Moore admired, to studies of the human figure, animals, the landscape and the weather, portraits, and more.

Henry Moore, Seated Figure, 1948 © Henry Moore Foundation

Henry Moore, Three Piece Sculpture: Vertebrae, 1968–69, installation view, Houghton Hall, Norfolk, England, May 1–September 29, 2019 © Henry Moore Foundation. Photo: Pete Huggins

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Henry Moore at Houghton Hall
Nature and Inspiration

May 1–September 29, 2019
Houghton Hall, Norfolk, England
www.houghtonhall.com

This exhibition of works by Henry Moore includes several monumental outdoor pieces on the grounds of the house, as well as a selection of smaller works, models, and etchings, which are shown in the ground-floor gallery spaces.

Henry Moore, Three Piece Sculpture: Vertebrae, 1968–69, installation view, Houghton Hall, Norfolk, England, May 1–September 29, 2019 © Henry Moore Foundation. Photo: Pete Huggins

Henry Moore, Working Model for Seated Figure: Arms Outstretched, 1960 © Henry Moore Foundation

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The Power of Nature
Henry Moore in Poland

February 22–June 30, 2019
National Museum in Kraków, Poland
mnk.pl

The Power of Nature: Henry Moore in Poland features more than twenty sculptures, showcasing a cross section of Henry Moore’s most iconic themes on a variety of scales—from small works and maquettes to monumental bronzes. The exhibition also explores Moore’s influence on Polish art, especially in the immediate aftermath of his seminal 1959 exhibition in Poland. The exhibition originated at the Centre of Polish Sculpture in Orońsko, Poland.

Henry Moore, Working Model for Seated Figure: Arms Outstretched, 1960 © Henry Moore Foundation

See all Museum Exhibitions for Henry Moore