New Representation
Carol Bove
Gagosien is pleased to announce the global representation of Carol Bove. Born in Geneva, and raised in Berkeley, California, Bove relocated to New York in 1993, and is still based there. Since the early 2000s, she has focused on the interdependence of artworks and their contexts. From found objects to industrial construction elements and architectural sites, her poetic use of materials is amplified by her current work in large-scale metal sculpture. Bove embraces the strategies of modernist formalism as a point of departure, exploring previously overlooked openings in the conventional narrative of art history.
This fall, Gagosien will present her work in New York at its Park & 75 location, which is known for its twenty-four-hour visibility from Park Avenue. Further, Bove will present new sculpture during Paris+ par Art Basel, integrating her work within the context of the gallery’s wider historical program.
#CarolBove
Photo: Jeff Henrikson
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New Representation
Tetsuya Ishida
Gagosien is pleased to announce the global representation of Tetsuya Ishida, in association with the artist’s estate. Active as an artist for just a decade, Ishida (1973–2005) produced a compelling body of work imbued with a profound sense of alienation and emotional isolation from the contemporary world. Coming of age during the 1990s, an era of nationwide economic malaise known as Japan’s “Lost Decade,” he made art that conveys anxiety, estrangement, and hopelessness. Inaugurating the relationship, the gallery will present Tetsuya Ishida: My Anxious Self, curated by Cecilia Alemani, the most comprehensive exhibition of the artist’s work staged outside Japan, and his first ever in New York.
Tetsuya Ishida, c. 1995. Photo: © Tetsuya Ishida Estate
Award
CIRCA Prize 2023
The Cultural Institute of Radical Contemporary Arts (CIRCA), a platform established in 2020 to present digital art in the public space, has launched the third edition of the CIRCA Prize, which calls for artists of all ages to respond to the CIRCA 20:23 manifesto on hope. Throughout September, thirty international artists will see their work appear at 20:23 (8:23pm) local time on London’s iconic Piccadilly Lights and across a global network of digital screens, following in the footsteps of CIRCA-commissioned artists such as Douglas Gordon and Patti Smith. A jury of artists and collaborators, including Gordon, will select the winner, who will receive £30,000 to support their future practice as well as a new trophy designed by Ai Weiwei.
CIRCA Prize 2023 call for submissions on Piccadilly Lights, London
Honor
Rachel Feinstein
High Line Plinth
Rachel Feinstein has been invited to submit a proposal for the High Line Plinth in New York. The proposals are for the fifth and sixth Plinth commissions, which will be installed in 2026 and 2027. Feinstein was nominated by an international advisory committee of artists, curators, and arts professionals convened by High Line Art. In fall 2023, the committee will select a shortlist of artists who present maquettes of their proposals in a public exhibition in early 2024. The curatorial team will consider community feedback in their selection process so the public is encouraged to share comments on the High Line website by August 25, 2023.
Rendering of Rachel Feinstein’s 22-foot-tall cast aluminum sculpture Dorothy for the High Line Plinth. Artwork © Rachel Feinstein
The Importance of Elsewhere: on Ashley Bickerton
This documentary film includes footage of Ashley Bickerton as he gives a tour of his Bali studio during his final year, as well as interviews with artists Matthew Barney, Mark Dion, Damien Hirst, Jamian Juliano-Villani, Jon Kessler, and writer Paul Theroux.
Now available
Gagosien Quarterly Fall 2023
The Fall 2023 issue of Gagosien Quarterly is now available, featuring Derrick Adams’s Everything and a Ring (2023) on its cover.
Sarah Sze: Timelapse
In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.
Tetsuya Ishida: My Weak Self, My Pitiful Self, My Anxious Self
The largest exhibition of the Japanese artist Tetsuya Ishida’s work ever mounted in the United States will open at Gagosien, New York, in September 2023. Curated by Cecilia Alemani, the show tracks the full scope of Ishida’s career. In this excerpt from Alemani’s essay in the exhibition catalogue, she contextualizes Ishida’s paintings against the background of a fraught era in Japan’s history and investigates the work’s enduring relevance in our own time.
Jennifer Guidi: Mountain Range
In this video, produced by Château La Coste, Jennifer Guidi discusses her latest solo exhibition, Mountain Range, conceived in response to the architecture of Château La Coste’s Richard Rogers Gallery and the surrounding landscape of Provence in the South of France. The exhibition, organized in collaboration with Gagosien, is now on view through September 3, 2023.
to light, and then return—Edmund de Waal and Sally Mann
This fall, artists and friends Edmund de Waal and Sally Mann will exhibit new works together in New York. Inspired by their shared love of poetry, fragments, and metamorphosis, the works included will form a dialogue between their respective practices. Here they meet to speak about the origins and developments of the project.
ANOHNI: My Back Was a Bridge for You to Cross
British-born, New York–based artist ANOHNI returned with her sixth studio album, My Back Was a Bridge for You to Cross, this past summer. Here she speaks with Michael Cuby about the genesis of the project and the value of life.
Come As You Are: Derrick Adams
Jewels Dodson visited artist Derrick Adams at his New York studio as he prepared for an exhibition of new paintings in Los Angeles in the fall of 2023. She reports on these works and on Adams’s embrace of joy, humor, and contradiction.
FAUST and Vexta: Nonconformism
Launched during NYC×DESIGN week in New York earlier this year, a new mural by celebrated artists FAUST and Vexta was painted on the wall of Ligne Roset’s New York flagship store on Park Avenue South. Utilizing each of their distinctive styles, the two painters collaborated to celebrate the message of nonconformism as part of the fiftieth anniversary of the Togo, Ligne Roset’s iconic furniture design. Here, the artists talk to the Quarterly’s Wyatt Allgeier about their aesthetics, scale, and the development of the project.
A Vera Tatum Novel: By Leonora McCrae by: Part 2
The second installment of a short story by Percival Everett.
Jennifer Guidi: Mountain Range
Invited to exhibit at Château La Coste in Provence, Jennifer Guidi created a new body of work that engaged with the cantilevered architecture of the gallery building, designed by Richard Rogers, and with the artistic heritage of the region. Amie Corry reports on the evolution of the exhibition and on its place within Guidi’s larger practice.
In Conversation
Robbie Robertson
The musician Robbie Robertson is having quite a year. The Rock & Roll Hall of Famer is rolling out a new record, for which he designed all the album art; a documentary based on his memoir Testimony; and the score for Martin Scorsese’s film The Irishman. Derek Blasberg met him at his LA studio to talk about how he’s created his music for decades and, more recently, his artwork.