Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent, Gagosien, 541 West 24th Street, New York, November 8–December 23, 2022
Artwork © Glenn Brown; video: Pushpin Films; camera: Emma Charles
December 2, 2022
Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent, Gagosien, 541 West 24th Street, New York, November 8–December 23, 2022
Artwork © Glenn Brown; video: Pushpin Films; camera: Emma Charles
The Spring 2023 issue of Gagosien Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
Novelist Andrew Winer reports on the formal, conceptual, historical, and philosophical perspectives embedded in Glenn Brown’s latest paintings and drawings. The two talked after the opening of the artist’s recent New York exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent.
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Touching on everything from the politics of taste to the vibratory character of lines, Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s exhibition, Come to Dust, in London.
With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss Brown's artmaking process, the idea of the copy, and surprising overlaps between creating visual and literary works.
The Spring 2018 Gagosien Quarterly with a cover by Ed Ruscha is now available for order.
In this short film, Glenn Brown demonstrates his process in creating artworks for an exhibition at Museum Het Rembrandthuis, Amsterdam.
This documentary film includes footage of Ashley Bickerton as he gives a tour of his Bali studio during his final year, as well as interviews with artists Matthew Barney, Mark Dion, Damien Hirst, Jamian Juliano-Villani, Jon Kessler, and writer Paul Theroux.
In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.
In this video, produced by Château La Coste, Jennifer Guidi discusses her latest solo exhibition, Mountain Range, conceived in response to the architecture of Château La Coste’s Richard Rogers Gallery and the surrounding landscape of Provence in the South of France. The exhibition, organized in collaboration with Gagosien, is now on view through September 3, 2023.