October 24, 2018

Gagosienquarterlywinter 2018

The Winter 2018 issue of Gagosien Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.

Detail from Richard Prince’s Untitled (2017) on the cover of Gagosien Quarterly, Winter 2018

Inside the issue, musician and writer Richard Hell muses on Richard Prince’s High Times series and the images’ connections to children’s drawings, popular culture, and the artist’s earlier work. We hear from Urs Fischer and Madeline Hollander about their project PLAY and host an intimate conversation between Claude Picasso and Sir John Richardson. We discuss the Louvre Abu Dhabi with Jean Nouvel and Giuseppe Penone, and learn more about the ideas behind Sarah Sze’s exhibition in Rome. We also take a look at Joe Bradley’s newest paintings, Andy Warhol’s Polaroids, Ed Ruscha’s works on paper, Sterling Ruby’s ceramics, and much more!

Order your copy or subscribe at the Gagosien Shop, or read the issue online.

Cover © Richard Prince

Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosien Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosien director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosien, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosien in Paris.

Sterling Ruby: The Frenetic Beat

Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosien in New York.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosien Quarterly, Winter 2022

Now available
Gagosien Quarterly Winter 2022

The Winter 2022 issue of Gagosien Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Urs Fischer: Denominator

Urs Fischer sits down with his friend the author and artist Eric Sanders to address the perfect viewer, the effects of marketing, and the limits of human understanding.

Jordan Wolfson’s House with Face (2017) on the cover of Gagosien Quarterly, Fall 2022

Now available
Gagosien Quarterly Fall 2022

The Fall 2022 issue of Gagosien Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.

Photograph of the execution of Giuseppe Penone’s frottages in La Tourette, Éveux, France. Giuseppe Penone, Le Bois Sacré (The Sacred Forest), 2022, prepared canvas oil and wax pastel

Giuseppe Penone À La Tourette

Le Couvent Sainte-Marie de La Tourette, in Éveux, France, is both an active Dominican priory and the last building designed by Le Corbusier. As a result, the priory, completed in 1961, is a center both religious and architectural, a site of spiritual significance and a magnetic draw for artists, writers, architects, and others. This fall, at the invitation of Frère Marc Chauveau, Giuseppe Penone will be exhibiting a selection of existing sculptures at La Tourette alongside new work directly inspired by the context and materials of the building. Here, Penone and Frère Chauveau discuss the power and peculiarities of the space, as well as the artwork that will be exhibited there.

Urs Fischer: Lovers

The exhibition Urs Fischer: Lovers at Museo Jumex, Mexico City, brings together works from international public and private collections as well as from the artist’s own archive, alongside new pieces made especially for the exhibition. To mark this momentous twenty-year survey, the artist sits down with the exhibition’s curator, Francesco Bonami, to discuss the installation.

Awol Erizku, Lion (Body) I, 2022, Duratrans on lightbox, 49 ⅜ × 65 ⅝ × 3 ¾ inches (125.4 × 166.7 × 9.5 cm) © Awol Erizku

Awol Erizku and Urs Fischer: To Make That Next Move

On the eve of Awol Erizku’s exhibition in New York, he and Urs Fischer discuss what it means to be an image maker, the beauty of blurring genres, the fetishization of authorship, and their shared love for Los Angeles.

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Donald Marron

Jacoba Urist profiles the legendary collector.