News / Jim Shaw / Museum Exhibitions

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Ecstatic
Selections from the Hammer Contemporary Collection

June 10–August 27, 2023
Hammer Museum, Los Angeles
hammer.ucla.edu

Presented in conjunction with the unveiling of the Hammer’s building expansion, Ecstatic highlights acquisitions made since 2005—the year the institution began collecting contemporary art. The exhibition is organized around two distinct installations of sculpture and works on paper that emphasize the role each medium plays within the scope of the museum’s collection. Work by Mark Grotjahn, Nathaniel Mary Quinn, and Jim Shaw is included.

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Hippydrome

April 30–September 4, 2022
Frac Normandie Caen, France
www.fracnormandiecaen.fr

This exhibition brings together a selection of “interior landscapes” and portraits of the world in miniature that share an eccentric or fantastic sensibility, loosely linking them to Surrealism. Work by Jim Shaw and Blair Thurman is included.

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Des corps, des écritures
Regards sur l’art d’aujourd’hui

April 20–August 28, 2022
Musée d’Art Moderne de Paris
www.mam.paris.fr

This exhibition, whose title translates to Bodies, Writings: A Look at Today’s Art, highlights a selection of artworks created between 1973 and 2022 that were recently acquired by the museum. The works on view explore two distinct but organically linked themes: writing as a form or expression, resistance, or testimony; and the body and its representation, particularly in the context of societal changes. Work by Ewa Juszkiewicz and Jim Shaw is included.

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Michigan Stories
Mike Kelley and Jim Shaw

November 18, 2017–February 25, 2018
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing
broadmuseum.msu.edu

Against the backdrop of 1960s counterculture, Mike Kelley and Jim Shaw shared a lifelong friendship and common background: an upbringing and education in the state of Michigan. Michigan Stories is the first exhibition to place these artists’ practices alongside each other in historical context, approaching their work as parallel visual meditations on the vernacular cultures—including religious and secular rituals, folk tropes, zines, comic books, secret societies, and conspiracy theories—native to their midwestern upbringing.

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Jim Shaw
The End Is Here

October 7, 2015–January 10, 2016
New Museum, New York
www.newmuseum.org

The End Is Here presents some of Jim Shaw’s most iconic projects and reveals the breadth and inventiveness of his art. A comprehensive selection of his works is exhibited alongside objects from his collections of vernacular art and religious didactic materials. These instantly recognizable artworks and series—which succeed in reinvigorating and complicating traditional categories such as portraiture, history painting, figuration, and abstraction—have never before been brought together in a single exhibition.