Installation
Franz West
Green Fortune
In conjunction with Frieze Los Angeles, Franz West’s sculpture Green Fortune (2008) has been installed on the roof of Gagosien, Beverly Hills.
West’s interactive and highly endearing outdoor sculptures, which he began making in the 2000s, transform public spaces into sociable aesthetic environments, challenging the boundaries between art and life. Countering both the streamlined forms of industrialized objects and the bombastic nature of much public sculpture, these amorphous works often recall childlike drawings or twisted intestines with their contorted spirals and curves. Their monochrome surfaces are painted in lurid, unnatural colors like bubblegum pink and lemon drop yellow—shades the artist claims were inspired by children’s pajamas, public bathrooms, and other unexpected sources. From February 15 through 18, viewers are invited to sit on Green Fortune during gallery hours.
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Franz West, Green Fortune, 2008 © Archiv Franz West and © Estate Franz West. Photo: Jeff McLane
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Performance
Mike Kelley and Franz West
To Be Read Aloud (À haute voix)
October 13, October 20, and November 21, 2018, 9pm
Centre Pompidou, Paris
www.centrepompidou.fr
To Be Read Aloud (À haute voix) (1999) is an experimental theater piece by artists Mike Kelley and Franz West. On the occasion of West’s retrospective at Centre Pompidou, director Fanny de Chaillé presents a reenactment of this work—a dialogue in which the artists reflect on the development of their practices within the avant-garde scenes of Los Angeles and Vienna since the 1970s—within West’s installation Auditorium (1992). The event is free with museum admission.
Mike Kelley and Franz West’s poster design for performance of To Be Read Aloud (À haute voix) (1999). Artwork © Mike Kelley Foundation for the Arts. All rights reserved/Licensed by VAGA at Artists Rights Society (ARS), New York; and © Archiv Franz West
Art Fair
Art Basel Miami Beach 2022
December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com
Gagosien is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.
Gagosien’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano
Art Fair
Art Basel 2019
June 13–16, 2019, booth C9
Messe Basel
www.artbasel.com
Gagosien is pleased to participate in Art Basel, presenting works by Georg Baselitz, Joe Bradley, Alexander Calder, Willem de Kooning, Urs Fischer, Ellen Gallagher, Alberto Giacometti, Katharina Grosse, Mark Grotjahn, Jeff Koons, Man Ray, Albert Oehlen, Pablo Picasso, Richard Prince, Ed Ruscha, Richard Serra, Andy Warhol, Mary Weatherford, Tom Wesselmann, and Franz West, among others.
To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.
Jeff Koons, Sacred Heart (Magenta/Gold), 1994–2007 © Jeff Koons
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Now available
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to light, and then return—Edmund de Waal and Sally Mann
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ANOHNI: My Back Was a Bridge for You to Cross
British-born, New York–based artist ANOHNI returned with her sixth studio album, My Back Was a Bridge for You to Cross, this past summer. Here she speaks with Michael Cuby about the genesis of the project and the value of life.
Come As You Are: Derrick Adams
Jewels Dodson visited artist Derrick Adams at his New York studio as he prepared for an exhibition of new paintings in Los Angeles in the fall of 2023. She reports on these works and on Adams’s embrace of joy, humor, and contradiction.
FAUST and Vexta: Nonconformism
Launched during NYC×DESIGN week in New York earlier this year, a new mural by celebrated artists FAUST and Vexta was painted on the wall of Ligne Roset’s New York flagship store on Park Avenue South. Utilizing each of their distinctive styles, the two painters collaborated to celebrate the message of nonconformism as part of the fiftieth anniversary of the Togo, Ligne Roset’s iconic furniture design. Here, the artists talk to the Quarterly’s Wyatt Allgeier about their aesthetics, scale, and the development of the project.
A Vera Tatum Novel: By Leonora McCrae by: Part 2
The second installment of a short story by Percival Everett.
Jennifer Guidi: Mountain Range
Invited to exhibit at Château La Coste in Provence, Jennifer Guidi created a new body of work that engaged with the cantilevered architecture of the gallery building, designed by Richard Rogers, and with the artistic heritage of the region. Amie Corry reports on the evolution of the exhibition and on its place within Guidi’s larger practice.
In Conversation
Robbie Robertson
The musician Robbie Robertson is having quite a year. The Rock & Roll Hall of Famer is rolling out a new record, for which he designed all the album art; a documentary based on his memoir Testimony; and the score for Martin Scorsese’s film The Irishman. Derek Blasberg met him at his LA studio to talk about how he’s created his music for decades and, more recently, his artwork.