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Carsten Höller
Giant Triple Mushroom

Carsten Höller’s Giant Triple Mushroom (2023), a two-meter-high sculpture in polychrome aluminum, is on view in the vitrine at Gagosien, rue de Ponthieu, Paris, as part of the artist’s exhibition Clocks at the rue de Castiglione gallery.

The work’s form combines enlarged cross-sections of three different species of mushroom, including the red-capped fly agaric, reflecting Höller’s fascination with the idea that this notoriously toxic and hallucinogenic fungus may have played a role in the development of shamanism, and thus constitutes a link to ancient proto-religious culture. The three species also represent evolutionary time, as the different shapes, colors, and psychoactive ingredients of their fruiting bodies most certainly evolved from those of a common ancestor. Finally, Giant Triple Mushroom resonates with Höller’s continued exploration of doubling and rupture, and hence to the division and subdivision of time that is visualized in the clock works.

Carsten Höller, Giant Triple Mushroom, 2023, installation view, Gagosien, rue de Ponthieu, Paris © Carsten Höller. Photo: Thomas Lannes

Carsten Höller, Giant Triple Mushroom, 2023, installation view, Gagosien, rue de Ponthieu, Paris © Carsten Höller. Photo: Thomas Lannes

Related News

Carsten Höller inside Brutalisten, Stockholm, 2022. Photo: Pierre Björk

Launch

Carsten Höller
Brutalisten Restaurant

On May 3, 2022, Carsten Höller will launch Brutalisten, a new restaurant concept in Stockholm and the latest embodiment of his long-term culinary and artistic project labeled the Brutalist Kitchen. The 28-seat restaurant will adhere to Höller’s “Brutalist Kitchen Manifesto,” a set of rules created in loose reference to Brutalist architecture, which is characterized by an emphasis on bare building materials over decorative design. The menu is classified in three sections: “Semi-Brutalist” dishes (using oil or minimal ingredients), “Brutalist” dishes (using salt and water), and “Orthodox-Brutalist” dishes (no additional ingredients).

Carsten Höller inside Brutalisten, Stockholm, 2022. Photo: Pierre Björk

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

Permanent Installation

Carsten Höller
Seven Sliding Doors Corridor (Outdoor Version)

Carsten Höller’s installation Seven Sliding Doors Corridor (Outdoor Version), recently installed at Luma Arles, France, consists of electronic sliding doors with mirrored surfaces on both sides, through which a viewer can walk in an apparently endless passage. The doors are installed inside a corridor that traverses a pond in a garden. Motion sensors cause them to slide open when someone approaches and close when the person moves away. As a result, the movements of viewers alternately break and bind the visual limits of the space, which can be entered from either end of the corridor, increasing the likelihood of unexpected encounters.

Carsten Höller, Seven Sliding Doors Corridor (Outdoor Version), 2021, installation view, Luma Arles, France © Carsten Höller. Photo: Adrian Deweerdt

Carsten Höller, Isometric Slides, 2021 (detail), installation view, The Tower, Luma Arles, France © Carsten Höller. Photo: Mark Domage

Permanent Installation

Carsten Höller
Isometric Slides

Carsten Höller has developed a site-specific slide for the Tower at Luma Arles, France, designed by Frank Gehry. According to Höller, “a slide is a sculpture that you can travel inside” and experience a unique emotional state situated between pleasure and madness. However, the artist emphasizes that it is not necessary to use the slide to make sense of it—observing other visitors travel between levels of the building is an equally stimulating experience.

Carsten Höller, Isometric Slides, 2021 (detail), installation view, The Tower, Luma Arles, France © Carsten Höller. Photo: Mark Domage

Ashley Bickerton's studio

The Importance of Elsewhere: on Ashley Bickerton

This documentary film includes footage of Ashley Bickerton as he gives a tour of his Bali studio during his final year, as well as interviews with artists Matthew Barney, Mark Dion, Damien Hirst, Jamian Juliano-Villani, Jon Kessler, and writer Paul Theroux.

Derrick Adams’s Everything and a Ring (2023) on the cover of Gagosien Quarterly, Fall 2023

Now available
Gagosien Quarterly Fall 2023

The Fall 2023 issue of Gagosien Quarterly is now available, featuring Derrick Adams’s Everything and a Ring (2023) on its cover.

Sarah Sze, Timekeeper

Sarah Sze: Timelapse

In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.

Painting of a person kneeling on the floor with crab claw hands

Tetsuya Ishida: My Weak Self, My Pitiful Self, My Anxious Self

The largest exhibition of the Japanese artist Tetsuya Ishida’s work ever mounted in the United States will open at Gagosien, New York, in September 2023. Curated by Cecilia Alemani, the show tracks the full scope of Ishida’s career. In this excerpt from Alemani’s essay in the exhibition catalogue, she contextualizes Ishida’s paintings against the background of a fraught era in Japan’s history and investigates the work’s enduring relevance in our own time.

Château La Coste

Jennifer Guidi: Mountain Range

In this video, produced by Château La Coste, Jennifer Guidi discusses her latest solo exhibition, Mountain Range, conceived in response to the architecture of Château La Coste’s Richard Rogers Gallery and the surrounding landscape of Provence in the South of France. The exhibition, organized in collaboration with Gagosien, is now on view through September 3, 2023.

Five white objects lined up on a white shelf

to light, and then return—Edmund de Waal and Sally Mann

This fall, artists and friends Edmund de Waal and Sally Mann will exhibit new works together in New York. Inspired by their shared love of poetry, fragments, and metamorphosis, the works included will form a dialogue between their respective practices. Here they meet to speak about the origins and developments of the project.

Close up self portrait of the musician Anohni

ANOHNI: My Back Was a Bridge for You to Cross

British-born, New York–based artist ANOHNI returned with her sixth studio album, My Back Was a Bridge for You to Cross, this past summer. Here she speaks with Michael Cuby about the genesis of the project and the value of life.

Colorful painting of a person soaking in a bathtub

Come As You Are: Derrick Adams

Jewels Dodson visited artist Derrick Adams at his New York studio as he prepared for an exhibition of new paintings in Los Angeles in the fall of 2023. She reports on these works and on Adams’s embrace of joy, humor, and contradiction.

Graffiti artists Faust and Vexta painting a wall

FAUST and Vexta: Nonconformism

Launched during NYC×DESIGN week in New York earlier this year, a new mural by celebrated artists FAUST and Vexta was painted on the wall of Ligne Roset’s New York flagship store on Park Avenue South. Utilizing each of their distinctive styles, the two painters collaborated to celebrate the message of nonconformism as part of the fiftieth anniversary of the Togo, Ligne Roset’s iconic furniture design. Here, the artists talk to the Quarterly’s Wyatt Allgeier about their aesthetics, scale, and the development of the project.

Graphic design of the title with overlapping orange, gray, and yellow rectangles

A Vera Tatum Novel: By Leonora McCrae by: Part 2

The second installment of a short story by Percival Everett.

Jennifer Guidi’s Hawk Soars Skyward (Painted Natural Sand, Yellow-Orange-Pink Sky, Green, Purple and Black Mountains, Red, Blue, Purple, Turquoise, Yellow, Orange, Lavender and Green, Black Ground), 2023

Jennifer Guidi: Mountain Range

Invited to exhibit at Château La Coste in Provence, Jennifer Guidi created a new body of work that engaged with the cantilevered architecture of the gallery building, designed by Richard Rogers, and with the artistic heritage of the region. Amie Corry reports on the evolution of the exhibition and on its place within Guidi’s larger practice.

Robbie Robertson

In Conversation
Robbie Robertson

The musician Robbie Robertson is having quite a year. The Rock & Roll Hall of Famer is rolling out a new record, for which he designed all the album art; a documentary based on his memoir Testimony; and the score for Martin Scorsese’s film The Irishman. Derek Blasberg met him at his LA studio to talk about how he’s created his music for decades and, more recently, his artwork.