Art Fair
artgenève 2023
Edmund de Waal and Theaster Gates
January 25–29, 2023, booth C30
Palexpo, Geneva
artgeneve.ch
Gagosien is pleased to announce the gallery’s participation in artgenève 2023 with a dual presentation of porcelain vessels by Edmund de Waal and wood-fired ceramics by Theaster Gates. Placing the works of these two artists in dialogue, the presentation juxtaposes two very different but nonetheless complementary approaches to the established traditions and new possibilities represented by an ancient medium and practice.
Download the full press release in English (pdf) or French (pdf)
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Left: Edmund de Waal, sestina, 2022 © Edmund de Waal. Photo: Alzbeta Jaresova. Right: Theaster Gates, Untitled (Bottle), 2022 © Theaster Gates. Photo: Annik Wetter
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Art Fair
Frieze Seoul 2023
September 7–9, 2023, booth C14
COEX, Seoul
www.frieze.com
Gagosien is pleased to participate in Frieze Seoul 2023 with a presentation of contemporary works by gallery artists, including Derrick Adams, Georg Baselitz, Dan Colen, Edmund de Waal, Jadé Fadojutimi, Urs Fischer, Cy Gavin, Mehdi Ghadyanloo, Nan Goldin, Katharina Grosse, Jennifer Guidi, Thomas Houseago, Alex Israel, Rick Lowe, Takashi Murakami, Nam June Paik, Giuseppe Penone, Ed Ruscha, Alexandria Smith, Anna Weyant, Stanley Whitney, Jonas Wood, and Richard Wright, among others.
Coinciding with the fair is the arrival of Jiyoung Lee, who was recently appointed to lead the gallery’s operations in Korea. Lee joins Gagosien following nearly fifteen years based in Seoul working on behalf of both Korean and Western galleries. Her appointment builds on the gallery’s establishment of a business entity in Korea last year, and provides for expanded activities in the region.
Gagosien’s booth at Frieze Seoul 2023. Artwork, left to right: © Jadé Fadojutimi, © Jen Guidi, © Alexandria Smith, © Mehdi Ghadyanloo, © Rick Lowe Studio, © Jonas Wood, Photo: Sebastiano Pellion di Persano
Installation
Theaster Gates
Min | Mon
Open from July 2, 2023
Luma Arles, France
www.luma.org
Min | Mon by Theaster Gates highlights the ritual, conviviality, and cultural hybridity often at the heart of his projects. Temple, a central structure using materials from Gates’s earliest exhibitions, deepens his exploration of “Afro-Mingei”—an inquiry into the intersection of Black cultural aesthetics and mingei, a Japanese movement honoring the handmade craftsmanship of ordinary utilitarian objects. Uniting key strands of his work, Gates has developed a participatory installation with a DJ booth featuring the artist’s own collection of vinyl records and a bar offering a new sake produced by Gates with the Hakurou brand in Tokoname, Japan. Min | Mon exemplifies Gates’s engagement with ceremony in Eastern culture while giving form to complex truths about craft, labor, value, and origin.
Theaster Gates, Temple Exercises, 2009 © Theaster Gates. Photo: Sara Pooley, courtesy Museum of Contemporary Art Chicago
Exhibition
Theaster Gates in
Biennale Architettura 2023: The Laboratory of the Future
May 20–November 26, 2023
Giardini and Arsenale, Venice
www.labiennale.org
The Laboratory of the Future is an exhibition in six parts and includes eighty-nine participants, over half of whom are from Africa or the African diaspora. Threaded through both venues are works by young practitioners who engage directly with the twin themes of this exhibition—decolonization and decarbonization—providing a glimpse of future practices and ways of seeing and being in the world. The documentary film Black Artist Retreat: Reflections on 10 years of Convening (2023) by Theaster Gates is included.
Theaster Gates, Black Artist Retreat: Reflections on 10 years of Convening, 2023 (still) © Theaster Gates
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Robbie Robertson
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